Greg Oakford, co-founder of NFT Fest Australia, is your guide to the world of NFTs from a collector’s and fan’s perspective.
With Sound’s recent $20 million raise, music collectibles have reignited a spark in my mind. While music really hasn’t had its moment in the sun, as has the art market and the PFP mania of 2021–2022, collectible on-chain music feels inevitable.
Collecting music is not new. It’s had many iterations, from vinyl to cassettes to CDs to mp3s (remember that thing called Napster?) to $0.99 tracks on iTunes.
My dad collects blues vinyl yet doesn’t have a record player anymore. He streams music on Spotify, so why buy the vinyl? Why did so many opt to pay $0.99 for songs or $10 to $15 for albums on a centralized digital music marketplace like iTunes when, in reality, getting music for free was pretty accessible?
People collect music for a variety of reasons, including nostalgia, supporting artists financially, social signaling to their friends and followers, and showcasing their personality through their taste in music.